Even the Sony a6300 is a mirrorless camera for those who have pro-level ambitions. Building on the success of this Sony a6000, this premium cousin sports the same 24-megapixel resolution, but using a new sensor that offers improved photo quality at low light. Even the a6300 also stands out because of its fantastic 4K movie, external microphone jack and more solid metal design. However, that the a6300 costs nearly Two times as much as the a6000, that Is the Reason Why it’s that the greatest mirrorless camera for those who aren’t quite novice photographers
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The a6300’s biggest design advancement is that the upgrade from a Composite material (reinforced plastic) body into magnesium alloy. That adds 0.63 ounces (for a total of 14.25 oz ), but it is a positive change. Although it’s pretty durable, the a6000 always felt fragile; the a6300’s heft removes the uneasy sense that you might break the camera. The rest is essentially the same, for better or worse. The a6300 has marginally smaller (4.7 x 2.6 x 1.9 inches) measurements, a profound handgrip, popup flash for fill light and a hot shoe to get a powerful strobe (or mounting a mic).
Some tweaks mean a lot. The OLED electronic viewfinder (EVF), already quite nice, gets a resolution upgrade to 1024 x 768 pixels (XGA) in 800 x 600 pixels (SVGA), as well as an choice to bulge screen refresh from 60 to 120 frames per second (fps) to maintain the preview from blurring if you pan.
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The 3-inch, 640 x 480 rear LCD still provides a view that’s Inferior to the EVF and, unlike the majority of other mirrorless cameras at the price, it’s not a touch screen. Stillyour ability to lean up the LCD 90 degrees and down 45 degrees is great for framing intense shots, as well as holding the camera steady when you’re shooting video. A sensor automatically switches the preview from LCD into EVF when you place the camera to your eye. You can turn off that feature and place one of those camera’s programmable buttons to toggle between displays. (We will get to that in a little.)
The addition of an external microphone jack allows the a6300 to Use virtually any mic — a great advancement over the a6000, which just allows you to plug a couple Sony microphones to its flash hot shoe.
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Buttons and menus are still a mixture of good and bad about the Sony a6300. Good is the liberty to program both the C1 and C2 buttons as shortcuts. In addition, nearly every button can be reassigned to trigger nearly any menu option. A brand new combo button and switch near the Perfect corner of the LCD toggles between autofocus and manual focus and activates auto exposure lock.
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